IMM Building, 2 Jurong East Street 21, #04-31N, Singapore 609601
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Grand piano · 180 cm and up

Grand pianos, and why length decides everything.

The size people ask for by name is around six feet. It is long enough to behave like a proper grand and short enough to place in a home or a small hall, which is why it is the most requested length we see.

What it is

Length is the specification that matters.

In a grand, length is the specification that matters. A longer case takes longer bass strings and a bigger soundboard, and those two things decide how the instrument sounds far more than the badge on the fallboard does. A six foot grand and a five foot grand from the same maker are genuinely different instruments.

The other thing length buys is the action. A grand action repeats faster and more evenly than an upright because gravity returns the hammer rather than a spring, and a longer case gives that action more room to be built properly.

Type
Grand piano
Size
180 cm and up
Condition
Pre-owned, prepared

Ask for current availability and price

A grand piano in polished ebony with the lid raised
Grand piano
The grand pianos we carry

The grands we are asked about.

Sizes are the manufacturer figures. What is actually in the viewing gallery changes as instruments come and go, so ask before you travel.

Yamaha

Grand

161 to 186 cm

The grand most people in Singapore mean when they say they want a grand. The real question is less which maker and more which length.

Read about it →

Kawai

GX-1

166 cm

Two years old, 166 cm, from Kawai’s GX BLAK series, and the most recent grand on our floor. The model and the serial are both cast and stamped into the plate, so that age is a matter of record rather than an estimate.

Read about it →

Boston

Grand

A grand designed by Steinway and Sons and built in Japan by Kawai, for players who want that design thinking at a price a home can justify.

Read about it →

Schimmel

Grand

A German grand from a maker that has built pianos since 1885. The one we photographed carries Made in Germany on its keyboard and the Schimmel crest inside the case.

Read about it →
Who it suits

Worth your time if.

  • A room with the floor area and the ceiling height to let an instrument breathe
  • A player who has outgrown what an upright can do under the fingers
  • A hall, a studio or a school that needs an instrument to carry
  • Anyone hiring for a recording or a performance rather than buying
Buying one used

Four things to check, in order.

The same four we check ourselves before an instrument goes on the floor. Every instrument is an original used piano. Not reconditioned, not rebuilt. Ask us about any of them on a specific piano and you get a straight answer.

  1. Soundboard and bridgesCracks and loose bridge pins are the faults that cannot be argued away, and they are more consequential in a grand.
  2. Action regulation and repetitionThe reason to buy a grand at all. An unregulated grand action wastes the instrument.
  3. Pedal and lyre assemblyThe part that gets damaged in transit and the part nobody thinks to test.
  4. The route inGrands come apart to be moved and go back together at the other end. Door widths, lift dimensions and turns decide whether a piano can get into a room at all.
Photographed in the viewing gallery

Up close.

A Yamaha grand piano with the lid open in the viewing gallery
Yamaha, lid open
The plate, strings and soundboard of a grand piano
Plate and soundboard
A grand piano in a blue room with portraits on the wall
In the viewing gallery
The lid and plate of a Kawai grand piano reflected in its polished case
A Kawai grand
A Schimmel grand piano under its cover in a customer home
One that went home
A Kawai GX-1 grand piano with the lid raised on the floor at IMM
A Kawai GX-1
The plate, bracing and strings inside a Kawai GX-1 grand piano
Inside the GX-1
Heard on the floor

Played on our floor.

Filmed on a phone at IMM, so this is close to what the room sounds like rather than a studio recording. Press play, with the sound on.

Trying a grand
Trying another grand
From the bench
The other one to hear

Against the U3.

A good tall upright like the U3 will outperform a small or poorly kept grand, and it costs less to house. Length is what makes a grand worth it, so a grand that is too short is the worst of both.

Both, back to back, in the same room on the same afternoon. That is a fifteen minute job at the viewing gallery and it settles the question far better than any page can.

Read about the U3 →

A Yamaha upright piano in a walnut finish
Yamaha U3
Questions

The grand pianos, answered.

How much space does a six foot grand need?

More than its footprint. It needs room for the lid to open, room for a bench and a player, and enough air around it that the sound is not bouncing straight off a wall.

Send a photograph of the room and the measurements and we will tell you honestly whether it works.

Can a grand go into a condo?

Often, yes, and the deciding factors are the lift and the corridor rather than the apartment. Grands are dismantled for the move and reassembled in the room. Tell us the building and the floor and we will work out the route.

Is a used grand a sensible buy?

A well kept one, yes, and the same argument applies as with uprights: the parts that wear can be worked on, the structure is what you are really buying. The stakes are higher because grands cost more, so the inspection matters more.

Can I rent a grand instead?

Yes, and a lot of people do for concerts, recordings and events. It is a different conversation from buying and it is quoted on the instrument, the dates and the access.

Visit the viewing gallery

Ask what is on the floor today.

Message us with the model and we will tell you what is in, what condition it is in, and what it costs. If we have nothing suitable we will say that instead.